WW2 Posters & Wartime Propaganda Prints
Loose Lips Sink Ships. Dig for Victory. We Can Do It. You can almost hear the instructions before you finish reading them.
Digitally restored reproductions from £19.99, printed on 200gsm Enhanced Matte Fine Art Paper with pigment inks. Printed locally and shipped from the UK, US and Canada. Supplied unframed.
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We Can Do It 1943
J. Howard Miller · 1943
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Dig for Victory 1941
Mary Tunbridge · 1941
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Wanted for Murder 1944
Victor Keppler · 1944
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Women's Land Army 1943
1943
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WW2 Poster 1945
Cecil Calvert Beall · 1945
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Somebody Blabbed 1942
Albert Dorne · 1942
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Make-Do and Mend 1943
1943
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Careless Talk Costs Lives 1942
Harold Forster · 1942
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Save Waste Fats for Explosives 1943
Henry Koerner · 1943
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RAF Air Training Corps 1940s
Jonathan Foss · 1940s
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Cornwell Victory Loan 1945
Dean Cornwell · 1945
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Fly With the Marines 1942
1942
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Quiet Loose Talk 1942
Dal Holcomb · 1942
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O'er the Ramparts We Watch 1944
Jes Wilhelm Schlaikjer · 1944
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Can All You Can 1943
1943
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Dig On For Victory 1944
Peter Fraser · 1944
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Woman's Place in War 1944
Irving Cooper · 1944
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Army Nurse Corps 1943
Ruzzie Green · 1943
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SPARS WW2 Recruitment 1944
John Joseph Floherty Jr. · 1944
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Join An Irish Regiment WW2
1940s
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Let's All Fight Buy War Bonds 1942
1942
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WW2 Buy War Bonds 1942
Joseph Hirsch · 1942
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To Have and to Hold 1944
Vic Guinnell · 1944
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WW2 War Bonds 1943
Hewitt · 1943
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Pour la Liberté 1943
Gaillet · 1943
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Territorial Army 1938
Lance Cattermole · 1938
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Safety First 1942
H. Price · 1942
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New Zealand Fights 1942
A.T. Peel · 1942
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New Zealand Ally Down Under 1942
Duco · 1942
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Join a Scottish Regiment 1940
John Gilroy · 1940
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Back the Attack 1943
Georges Schreiber · 1943
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Give to your War Fund 1943
1943
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Don't Let Him Down 1941
Lester Beall · 1941
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Canada's New Army 1942
Eric Aldwinckle · 1942
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Bring Him Home Sooner 1943
Lawrence Beall Smith · 1943
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These WW2 poster reproductions bring together recruitment, war savings, food, safety and secrecy campaigns. Some use humour; others rely on resolve or a sharp warning. Browse for the image that catches you, then look at what it was asking of the person who first saw it. A garden, a workplace and a casual conversation could all become part of the war effort. The design and the history belong together.
A world of instructions on paper
Second World War posters addressed far more than the battlefield. They asked people to enlist, buy bonds, work carefully, grow food and think before speaking. A designer might have only a few words and one image to make an appeal feel urgent enough to act on.
That concentration gives these prints their visual force. A direct gaze can make a public appeal feel personal. An ordinary household object can stand for national need. A joke can make an instruction memorable, while a threatening shadow changes the mood completely. Comparing campaigns shows how many different emotional routes could lead to the same request for cooperation.
Start with a campaign you recognise
Dig for Victory is a natural starting point for gardening and home front imagery. We Can Do It introduces J. Howard Miller’s workplace design, whose history is more specific than its later fame suggests. The careless talk posters offer another rich group, with warnings that range from restrained to alarming.
For the story behind one familiar image, read the article on We Can Do It and Rosie the Riveter. The Loose Lips Sink Ships article follows a different campaign. Both make useful companions to the prints without turning the collection page into the same history twice.
Choosing a wartime poster reproduction
Think about the message you will see every day, as well as the illustration. A gardening campaign, an industrial safety warning and a recruitment appeal will bring very different associations to a wall. If you are assembling a group for study, choose a clear relationship: one subject across countries, one artist across campaigns, or several different approaches to the same instruction.
For earlier material, explore First World War posters.































