Vintage Poster Archives
Semper Bicycle Tyres c.1920 | Vintage Advertising Poster
Semper Bicycle Tyres c.1920 | Vintage Advertising Poster
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Five figures in orange jester suits encircle a chromium-silver racing bicycle floating against a field of deep cobalt blue. The bicycle is the still point at the centre of the composition: spokes, chain ring, and drop handlebars rendered with mechanical accuracy while the acrobats orbit it from every angle. Below, the word SEMPER rises in three-dimensional orange block letters from a pale grey globe hemisphere, filling the lower third of the design.
The poster was produced for Semper, an Austrian tyre brand whose heraldic double-headed eagle crest appears in a cartouche at the upper right. Printed in France, most likely by Imprimerie Kossuth and Cie, a Paris lithography house active across cycling advertising from the 1890s through the early 1920s. An artist's monogram at lower right, reading 'K Searil', has not been definitively identified. The cobalt-and-orange palette, the airborne figures, and the globe base place this work at the junction of Belle Époque poster energy and the early geometric confidence of Art Deco commercial design.
The tradition it belongs to is a specific one: French and Austrian cycle and tyre advertisers of this period frequently elevated the product to near-mythological status, surrounding it with figures who celebrate rather than use it. The bicycle levitates; the acrobats serve it. The brand name fills the world beneath.
Reproduced as an archival print on 200gsm Enhanced Matte Fine Art Paper. The cobalt blue field and the saturated orange letterforms hold their depth in the matte finish without glare. Suited to anyone drawn to early-twentieth-century graphic design, cycling history, or the grand tradition of European commercial lithography.
Couldn't load pickup availability
Share
Five figures in orange jester suits encircle a chromium-silver racing bicycle floating against a field of deep cobalt blue. The bicycle is the still point at the centre of the composition: spokes, chain ring, and drop handlebars rendered with mechanical accuracy while the acrobats orbit it from every angle. Below, the word SEMPER rises in three-dimensional orange block letters from a pale grey globe hemisphere, filling the lower third of the design.
The poster was produced for Semper, an Austrian tyre brand whose heraldic double-headed eagle crest appears in a cartouche at the upper right. Printed in France, most likely by Imprimerie Kossuth and Cie, a Paris lithography house active across cycling advertising from the 1890s through the early 1920s. An artist's monogram at lower right, reading 'K Searil', has not been definitively identified. The cobalt-and-orange palette, the airborne figures, and the globe base place this work at the junction of Belle Époque poster energy and the early geometric confidence of Art Deco commercial design.
The tradition it belongs to is a specific one: French and Austrian cycle and tyre advertisers of this period frequently elevated the product to near-mythological status, surrounding it with figures who celebrate rather than use it. The bicycle levitates; the acrobats serve it. The brand name fills the world beneath.
Reproduced as an archival print on 200gsm Enhanced Matte Fine Art Paper. The cobalt blue field and the saturated orange letterforms hold their depth in the matte finish without glare. Suited to anyone drawn to early-twentieth-century graphic design, cycling history, or the grand tradition of European commercial lithography.
