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Mary Steininger 1920s Munich | Art Deco Dance Poster
Mary Steininger 1920s Munich | Art Deco Dance Poster
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A woman in a low-back cadmium red evening gown rests her cheek against a man in white tie and tails. Their ballroom hold is caught mid-dance, the figures drawn close to the picture plane and cropped at mid-torso. The palette is spare: cream ground, cadmium red, flat black, and warm flesh tones, with dark brown anchoring the large condensed type at the base. Across the top, spaced grey capitals read 'Das Tanzinstitut der Guten Gesellschaft', the Dance Institute of Good Society, arranged in the two-column format favoured by Munich commercial lithographers of the period.
This poster advertised Mary Steininger's dance school at Marienplatz 12/1, Munich, in the late 1920s or very early 1930s. The Marienplatz address placed the school at the civic centre of the Bavarian capital. The headline phrase 'der guten Gesellschaft' was a deliberate mark of social aspiration: in Weimar Germany, the ballroom dancing school was as much about class mobility as technique, and Steininger's poster addressed that ambition directly. The printer's cartouche in the lower right margin identifies the Herr-Sammlung Vruchs lithographic studio, active in Munich during this period.
The flat-colour figurative style, the bold condensed 'STEININGER' letterform across the lower register, and the restrained cream ground place this design firmly within the Art Deco commercial graphic tradition that Munich studios were producing across the late 1920s. It is a well-composed piece of Weimar-era social advertising, speaking to the period when German dance culture was at its most socially visible.
Reproduced from a restored archival source as an archival print on 200gsm Enhanced Matte Fine Art Paper. A considered choice for those drawn to Weimar German design history or the Art Deco figurative tradition.
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A woman in a low-back cadmium red evening gown rests her cheek against a man in white tie and tails. Their ballroom hold is caught mid-dance, the figures drawn close to the picture plane and cropped at mid-torso. The palette is spare: cream ground, cadmium red, flat black, and warm flesh tones, with dark brown anchoring the large condensed type at the base. Across the top, spaced grey capitals read 'Das Tanzinstitut der Guten Gesellschaft', the Dance Institute of Good Society, arranged in the two-column format favoured by Munich commercial lithographers of the period.
This poster advertised Mary Steininger's dance school at Marienplatz 12/1, Munich, in the late 1920s or very early 1930s. The Marienplatz address placed the school at the civic centre of the Bavarian capital. The headline phrase 'der guten Gesellschaft' was a deliberate mark of social aspiration: in Weimar Germany, the ballroom dancing school was as much about class mobility as technique, and Steininger's poster addressed that ambition directly. The printer's cartouche in the lower right margin identifies the Herr-Sammlung Vruchs lithographic studio, active in Munich during this period.
The flat-colour figurative style, the bold condensed 'STEININGER' letterform across the lower register, and the restrained cream ground place this design firmly within the Art Deco commercial graphic tradition that Munich studios were producing across the late 1920s. It is a well-composed piece of Weimar-era social advertising, speaking to the period when German dance culture was at its most socially visible.
Reproduced from a restored archival source as an archival print on 200gsm Enhanced Matte Fine Art Paper. A considered choice for those drawn to Weimar German design history or the Art Deco figurative tradition.
