Vintage Poster Archives
Elva Roues Libres 1930 | Martin Dupin Cycling Poster
Elva Roues Libres 1930 | Martin Dupin Cycling Poster
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
A male figure in a red long-sleeve top pirouettes on one foot, arms outstretched, encircled at the waist by a large silver-toothed bicycle sprocket. White concentric motion lines radiate from the spinning gear against a saturated cobalt-blue ground. The chrome-yellow block letters 'ELVA' anchor the base; above them, in red and white, 'adoptez les ROUES LIBRES'. At the top of the composition, italic white lettering reads: 'Pour tourner en souplesse...', to turn with ease.
Designed by Martin Dupin and produced at his Saint-Etienne print studio, this poster advertised Elva's range of bicycle freewheels, the Elva, Elira, and Elv'Astre product lines. Saint-Etienne was a hub of French cycle manufacturing in the interwar years, and Dupin was its advertising house illustrator for sporting goods. The composition sits squarely within the French Art Deco tradition of the late 1920s and early 1930s: the caricatural figure, the flat bold palette, the single visual conceit, the gear-as-skirt, the cyclist-as-dancer, are all tools of the period's commercial graphic language.
The poster is noted among French cycling poster dealers for the inventiveness of its central device: the mechanical promise of a smooth-running freewheel rendered as a spinning dance. Among French cycle advertising of the era, it stands apart from the more literal race-scene compositions favoured by contemporaries.
Reproduced from a digitally restored archival source and printed on 200gsm Enhanced Matte Fine Art Paper. For anyone drawn to French interwar design, the history of cycling culture, or the wit of Art Deco commercial illustration.
Couldn't load pickup availability
Share
A male figure in a red long-sleeve top pirouettes on one foot, arms outstretched, encircled at the waist by a large silver-toothed bicycle sprocket. White concentric motion lines radiate from the spinning gear against a saturated cobalt-blue ground. The chrome-yellow block letters 'ELVA' anchor the base; above them, in red and white, 'adoptez les ROUES LIBRES'. At the top of the composition, italic white lettering reads: 'Pour tourner en souplesse...', to turn with ease.
Designed by Martin Dupin and produced at his Saint-Etienne print studio, this poster advertised Elva's range of bicycle freewheels, the Elva, Elira, and Elv'Astre product lines. Saint-Etienne was a hub of French cycle manufacturing in the interwar years, and Dupin was its advertising house illustrator for sporting goods. The composition sits squarely within the French Art Deco tradition of the late 1920s and early 1930s: the caricatural figure, the flat bold palette, the single visual conceit, the gear-as-skirt, the cyclist-as-dancer, are all tools of the period's commercial graphic language.
The poster is noted among French cycling poster dealers for the inventiveness of its central device: the mechanical promise of a smooth-running freewheel rendered as a spinning dance. Among French cycle advertising of the era, it stands apart from the more literal race-scene compositions favoured by contemporaries.
Reproduced from a digitally restored archival source and printed on 200gsm Enhanced Matte Fine Art Paper. For anyone drawn to French interwar design, the history of cycling culture, or the wit of Art Deco commercial illustration.
