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Cycles Wonder 1920 | Mich Vintage Cycling Poster
Cycles Wonder 1920 | Mich Vintage Cycling Poster
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A helmeted road racer in a red jersey leans hard over the dropped bars of a white-tyred bicycle, bold black splash streaks radiating from both wheels across a saturated emerald green ground. The French tagline arching overhead, 'Elle éclabousse tout!!' ('She makes a splash!'), is the whole visual argument compressed into five words: this bicycle doesn't merely compete, it overwhelms.
Designed by Jean-Marie Michel Liebeaux (1881–1923), who signed his work as 'Mich', and printed by Galland Paris around 1920 for the Cycles Wonder marque of Saint-Étienne, Loire. Liebeaux was the leading cycle and automobile poster artist of early twentieth-century France, working for Citroën, Continental Tires, Hutchinson, and Automoto in addition to Ravat's Wonder sub-brand. The Ravat company, founded in 1898, launched Cycles Wonder in 1910 and reached peak production in the 1920s at 80,000 bicycles and motorcycles per year. The poster belongs to that expansion campaign.
The composition sits in the flat-graphic, caricature-inflected strand of early Art Deco commercial illustration that Mich refined from his training in Nantes and the influence of the Périgueux-born caricaturist Sem. The kinetic splash motif, Mich's own device, translates at street scale and works just as well at interior scale: the emerald green field is visually dominant and the red and white type anchors the lower third without competing with the figure. A natural fit for anyone drawn to French cycling culture, early advertising art, or the graphic energy of the 1920s bicycle industry. Reproduced as a vintage cycling poster print on 200gsm Enhanced Matte Fine Art Paper.
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A helmeted road racer in a red jersey leans hard over the dropped bars of a white-tyred bicycle, bold black splash streaks radiating from both wheels across a saturated emerald green ground. The French tagline arching overhead, 'Elle éclabousse tout!!' ('She makes a splash!'), is the whole visual argument compressed into five words: this bicycle doesn't merely compete, it overwhelms.
Designed by Jean-Marie Michel Liebeaux (1881–1923), who signed his work as 'Mich', and printed by Galland Paris around 1920 for the Cycles Wonder marque of Saint-Étienne, Loire. Liebeaux was the leading cycle and automobile poster artist of early twentieth-century France, working for Citroën, Continental Tires, Hutchinson, and Automoto in addition to Ravat's Wonder sub-brand. The Ravat company, founded in 1898, launched Cycles Wonder in 1910 and reached peak production in the 1920s at 80,000 bicycles and motorcycles per year. The poster belongs to that expansion campaign.
The composition sits in the flat-graphic, caricature-inflected strand of early Art Deco commercial illustration that Mich refined from his training in Nantes and the influence of the Périgueux-born caricaturist Sem. The kinetic splash motif, Mich's own device, translates at street scale and works just as well at interior scale: the emerald green field is visually dominant and the red and white type anchors the lower third without competing with the figure. A natural fit for anyone drawn to French cycling culture, early advertising art, or the graphic energy of the 1920s bicycle industry. Reproduced as a vintage cycling poster print on 200gsm Enhanced Matte Fine Art Paper.
