Vintage Poster Archives
Columbia Calls 1917 | WWI Recruitment Poster | Archival Print
Columbia Calls 1917 | WWI Recruitment Poster | Archival Print
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Columbia, the female personification of America, stands atop a globe showing North America, her white robes flowing as she grips both the American flag and a sword of justice. The bold golden lettering declares COLUMBIA CALLS above, with ENLIST NOW FOR U.S. ARMY below, while Frances Adams Halsted's patriotic poem fills the lower right corner against a serene light blue background.
Designed by Frances Adams Halsted and painted by Vincent Aderente in 1917, this poster emerged after America's entry into the Great War. Halsted, convinced that conflict with Germany was inevitable, had written her poem in 1916. When war came, she donated both poem and design to the U.S. War Department, which printed 500,000 copies with proceeds supporting a home for war orphans.
This collaboration between poet-designer Halsted and Italian-American muralist Aderente represents one of the most recognisable American recruitment images of WWI. Aderente, trained at the Art Students League and assistant to the renowned Edwin Blashfield, brought classical mural painting techniques to wartime communication design.
A significant addition to any collection focused on American military history, wartime graphics, or the intersection of fine art and national service during the Great War period.
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Columbia, the female personification of America, stands atop a globe showing North America, her white robes flowing as she grips both the American flag and a sword of justice. The bold golden lettering declares COLUMBIA CALLS above, with ENLIST NOW FOR U.S. ARMY below, while Frances Adams Halsted's patriotic poem fills the lower right corner against a serene light blue background.
Designed by Frances Adams Halsted and painted by Vincent Aderente in 1917, this poster emerged after America's entry into the Great War. Halsted, convinced that conflict with Germany was inevitable, had written her poem in 1916. When war came, she donated both poem and design to the U.S. War Department, which printed 500,000 copies with proceeds supporting a home for war orphans.
This collaboration between poet-designer Halsted and Italian-American muralist Aderente represents one of the most recognisable American recruitment images of WWI. Aderente, trained at the Art Students League and assistant to the renowned Edwin Blashfield, brought classical mural painting techniques to wartime communication design.
A significant addition to any collection focused on American military history, wartime graphics, or the intersection of fine art and national service during the Great War period.
